Wednesday 1 July 2015

Stephen Williams, "Karla: A Pact with the Devil" (2003)

It's hard to offer any new insights on the sordid and tragic tale of sexual assaults and murders conducted by Paul Bernardo and Karla Homolka. In 2003, when this book was written, Williams was able to provide some new insights into the case, as well as Karla's state of mind in prison. Although he is evasive in the book, Williams apparently opened a mail conversation with her, while also seeking out interviews with a multitude of other people involved in the case.

The book plots out the legal prosecution of Karla Homolka, and explains the development of the plea bargain that would result in her serving much shorter jail time than she might otherwise face in exchange for testifying against her husband. Williams seems to want to tell the valid, but hard to integrate story of bureaucratic bungling in prosecuting Homolka (and Bernardo), along with a sympathetic telling of Homolka's suffering at the hands of a penal and justice system that approached her in a harsher fashion than other inmates guilty of similar crimes. In short, Williams seems to want to tell us that Karla is a criminal that deserved a worse sentence, but having reached a plea bargain, deserved to relish the terms she had been given by the state.

Williams lives in the region from which I grew up, and I wanted to enjoy this book, despite the story it tells. The tale he tells has all the hallmarks of a great work: internationally noteworthy crime, nationally much-discussed and controversial plea bargain, and suggestions of investigative and prosecutorial shortcomings. I found myself distracted by Williams rather awkward story-telling, and the poor editing of the book. Williams seems to fancy himself a cross between Truman Capote and Hunter S. Thomson. He blends comments on his own adventures, the food he's dining on and the company he keeps, with specious psychological analysis of the people he writes about. He makes an unfortunately showy love of vocabulary that I suspect serves to distance most readers, rather than impress them. I can only explain his strategy as a product of fearing his topic pandered to the stereotypical 'true crime' reader, and so sought to elevate his authorial persona with language he felt might better reflect his elevated intelligence. I found it more pompous and off-putting than appealing.


Quotations, and Gregory Klages' notes:

Chapter 7 - Cancer

"...post-traumatic stress disorder and its symptoms were fully extrapolated in a book by Arthur Kardiner, first published in 1941, called The Neuroses of War."

Chapter 9 - The Wedding Planner
"…[Karla] had seen a television program about how Italian men frequently live with their mothers until they are in their fifties. That might have explained it — Paul Bernardo was of Italian descent — but in the television program all the men really loved their mothers and Paul hated his and he wasn’t just saying it either and Karla could understand why."
NOTE: This sort of run-on sentence helps to establish a certain 'voice' for Karla. If it reflects her actual voice in the letters, wouldn't it have been more useful to actually use her words? I suppose this is part of the challenge of writing a textual conversation: if the author doesn't intervene, they become irrelevant. With too much intervention, the text becomes more about them than it does about the topic.

Chapter 22 - Deciphering Code
"Not to mention the anti-psychiatry, such as the idea that Karla was a malingering, histrionic hybristophiliac, developed for Bernardo’s defense team by Dr. Graham Clancy."
NOTE: If the average reader needs to check a dictionary more than once in a sentence, particularly when reading a pulp 'true crime' story, it should be a sign for concern.

Chapter 23 - The Man with Whom the Buck Stops
"And as Murray Segal said in this February 1995 letter to George Walker, they would continue to do exactly."
NOTE: End of sentence?… where are you?

Chapter 26 - A Propensity to Lie
"He was arraigned the next day, and held without bail for months even though Inspector Bevan’s charges on the murder charges had been thrown out."
NOTE: Editor? Did you disappear with the end of the sentence above?

Chapter 27 - The Fine Art of Adjudication
"What is now abundantly clear is that Michael Code’s ultimate decision not to charge Karla with respect to the repeated heinous attacks on Jane Doe, and the subsequent grant of blanket immunity, whereby, theoretically, he reinforced her “credibility” as an “accomplice witness,” has done nothing to maintain the public confidence in the administration of Justice — quite the opposite — but that consideration was clearly not the most important on Michael Code’s list. Although there are many facts and arguments to the contrary, which I tried to press on him time and again, he stubbornly asseverated that any prosecution of Karla Homolka would have put the successful prosecution of Paul Bernardo for first-degree murder at great risk. To him, Karla was by far the lesser of two evils, and was not then and is not now a danger to society."
NOTE: The quotation above is a fine example of all of the primary problems with this book.

"We did, however, agree on two other things. Karla should have been released on her statutory date, and that the prison officials far exceeded their mandate and their role when they detained her."

Chapter 30 - Macabre Cynicism
"On the surface, it seems lucid and logical but its observations and remarks are repetitive and pleonastic, as though they were uncomfortable with their subject matter, their decision and the basis on which it was made."

Chapter 31 - Back to the Future
"...doing time does something to one’s sense of time. You pass through it as though it is a vast mucilaginous bubble, emerging three months later none the wiser, feeling as though only three or four days have gone by."
NOTE: Hmmmm… is this Williams speculating, speaking from experience, or sharing Homolka's confidences? We'll never know.

"Understandably, this pecuniary redemption would ameliorate behavior and provide relief from stress and deliver some good old-fashioned middle-class stability."

No comments: